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Sabrina Weld

  • Work
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Cumulonimbus 1

23.5”h x 18”w x 18”d

Cumulonimbus 3

25”h x 26”w x 16”d

Thunderhead 1

24”h x 20”w x 20”d

Cumulus 1

25”h x 18”d x 15”w

Cumulus 2

20”h x 17”w x 12”d

Polluted

21.5”h x 20”w x 17”d

Studio

Other Sculptural

Large Jar Forms, WIP, and other Projects

Style

Ceramic

23" H x 16" W x 16" D

Each of the pieces in this particular series are Folk Tales of finding confidence in adversity. Imagined in characters and forms that are cracked, quirky, or imperfect. This character expresses an eclectic style.

Rouse - Large Lidded Jar

Each of the pieces in this particular series are Folk Tales of finding confidence in adversity. Imagined in characters and forms that are cracked, quirky, or imperfect. This piece shows the beginnings of someone getting motivated or inspired. The fire is a lid.

Impressionable

Large Ceramic Jar

24" H x 14" W x 14" D

Embracing the Snail

18" H x 14" L x 14" W

Each of the pieces in this particular series are Folk Tales of finding confidence in adversity. They are igniting their own beauty, bravery, and power from something uncomfortable - in coming to terms with a personal truth.  Imagined in characters and forms that are cracked, quirky, or imperfect; these pieces aim to invoke a feeling of vulnerability, yet create a sense of humor & lightness out of risk & exposure.

Lit

Ceramic

29" W x 25" H x 16" D

Confidence, being delicate in its beginnings, requires care in order not to be blown out. Images of fire imply pilot lights - on and exposed to the elements.
 

The Truth

Ceramic, Glaze, Bronze Powder, Shellac, Wax, Raku.

20" H x 16" W x 16" D

Sgraffito Gallery

Sgraffito Trees  

Growing up in New York State, I spent loads of time in forests — climbing trees, hiking, camping. Being surrounded by trees is how I have always felt at home. When I had to move my own family to dry Southern California for 10 years, we desperately missed living among the tall trees. This is when I began carving them into clay. For me, the trees represented protecton, life, family and the land. The positive and negative spaces created by carving the black underglaze allowed me to explore and play with how the air would move and flow between and behind the leaves. To those who have lived with the works, the images often represent their own personal connections with trees — memories from childhood, a dream, or something as ancient as the Tree of Life.


Sgraffito is a style of carving through a layer of slip or underglaze, on an unfired, leather-hard clay piece, to reveal a design with the contrasting clay below the surface. My sgraffito tree pieces are all one-of-a-kind. The handbuilt clay bases are pinched & smoothed (with many marks of the handbuilding process intentionally left remaining ), then trees are carefully drawn & carved freehand. They are bisque fired, then the delicate carved areas are finish-fired with clear gloss glaze (cone 5 - around 2,150 degrees) to protect them for use.

Cup & Bowl Gallery

Various sizes - Cone 5 Individually handbuilt -pinched/sculpted.

Cumulonimbus 1

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Cumulonimbus 3

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Thunderhead 1

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Cumulus 1

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Cumulus 2

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Polluted

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Studio

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Studio

Other Sculptural

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Style

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Octopus Style front.jpg

Rouse - Large Lidded Jar

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Impressionable

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Embracing the Snail

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Lit

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Gold Girl Pilots Front.jpg

The Truth

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Sgraffito Gallery

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Cup & Bowl Gallery

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